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A natural 1.60ct oval diamond appears to float at the centre of this design, framed by tiny white brilliant-cut diamonds set at an angle in 18ct yellow gold — designed for a woman who isn't afraid to make a statement.
A bold, Art Deco-inspired ring designed to celebrate the day a much-loved daughter was born — a pink tourmaline centre stone surrounded by graduated natural pink and white brilliant-cut diamonds.
A truly individual engagement ring, designed around a natural marquise cut diamond chosen for its unusual, elongated sparkle — framed a little differently by 18ct gold and brilliant-cut diamonds.
A bold, asymmetric aquamarine ring designed to mark the arrival of a much-loved son, edged with brilliant and baguette-cut natural diamonds in platinum — as individual as the occasion itself.
An Asscher-cut sapphire, chosen simply for a colour she couldn't resist, set to be worn every day — surrounded by a carefully balanced, asymmetric selection of emerald and brilliant-cut diamonds set in platinum, for a design as unusual as she wanted.
Originally made in copper as a prop for a performance of Der Rosenkavalier, this rose was painstakingly scaled down and handmade in 18ct red and white gold — a surprise gift from a husband to his wife, as a beautiful memento of the beloved opera. It now sits, turning gently, on a kinetic wooden base handcrafted by Jonathan Garrard.
Three beautiful diamonds, inherited and once set in a traditional ring, reimagined here in soft, frosted 18ct yellow gold — a modern setting built to let stones with real history feel entirely new again.
An engagement ring designed to be simple, elegant, and truly timeless — a 1.60ct oval diamond, claw-set in 18ct yellow gold, made as a forever design she'll love for a lifetime.
An engagement ring with a difference, no centre stone — instead, tiny natural pink diamonds, no bigger than grains of sand, graded by hand so the deepest colour sits at the centre and softens gradually around the finger. Each one is perfectly brilliant-cut to sparkle, and set under a microscope
Reimagined from diamonds taken from the customer's own jewellery — brilliant-cut stones reset in platinum, framed either side by delicate leaves, reflecting her love of nature.
Commissioned to mark my client's election as the first female Master of a 660-year-old City of London Livery Company, this necklace was made from family heirlooms — different coloured golds melted and reshaped into bubbles, echoing the vines and celebration of the occasion. Diamonds from cherished pieces, including a mother's engagement ring, were worked in too.
Designed and made in silver, gold, enamel and wood by Mari, silversmith Mary Ann Simmons, and cabinet maker Jonathan Garrard, this special Scrabble board was commissioned by a husband who played the game with his wife every day — its sides engraved with patterns from the places they travelled together, to mark that precious daily ritual.
One of a pair of handcrafted, kinetic rose bud lockets — this one in yellow and green gold, its pair in rose and green gold — the petals opening to reveal photographs and keepsakes of a beloved wife and mother, holding her memory close.
One of a pair of handcrafted, kinetic rose bud lockets — this one in yellow and green gold, its pair in rose and green gold — the petals opening to reveal photographs and keepsakes of a beloved wife and mother, holding her memory close.
A champagne diamond appears to float at the centre of this design, framed by tiny black diamonds set at an angle in 18ct white gold. Left unplated without the usual rhodium coating, the gold keeps its natural warmth — echoing the warmth of the centre stone, so every colour, from diamond to metal, sits in harmony.
A cluster ring bringing together tanzanite, emerald, aquamarine and diamonds, bezel-set in 18ct yellow gold — each stone chosen to represent a member of her family, worn together as one.